Yes, distracted.
Did I mention distracted?
Well, then.
So, yes. Impulse is a powerful thing. You've lost half your money at BlackJack and...oh FUCK IT. Bet the other half.
Reallyshouldn'thaveanotherdrinkreallyshouldn'thaveanotherdrink. "Uh, share a jug? Sure!" Cue rest of night with head in toilet.
Boy meets girl. There is attraction. They are alone. One innocently whips around to find the other quite a bit closer than expected. Conscious thought fights tooth and claw with primal instinct. Fight? Flight? ...Fuck?
I got my only ear-piercing that way. No, not kissing someone. Those would be really weird teeth. Was waiting for In.Significant, walking about and poke-prodding shops. Ah, piercing shop. Ok PIERCE EAR PIERCE EAR NOW.
...pok.
Was surprised at the lack of feeling. The earring hasn't served me at all badly, though I must say it's tough when infection sets in and you walk about the place with your earlobe the size of a ping-pong ball.
Fitting then, that I get my first tattoo the same way. And while everyone and his pet cat has had their ears pierced, getting a 'tatt (hwah insider lingo) is relatively rare. So hear ye, hear ye, this story of...
Well, not very much actually. Getting a tattoo done is about pain. That's it. The flavours differ, but the theme runs throughout. It'd always been one of those vague crazy notions, getting a tattoo. But I preempt myself. There I was with half a day to kill and on my own, something that's been happening distressingly often these days. Poke. Prod. Tattoo Shop. HMMM.
The place was fairly big, occupying two units on the ground level of a row of shophouses in Geylang. Located, strangely, right next to a tire shop. Possibly, rent is cheap at such places, because I've seen all sorts of weird things next to tire shops. Hair salons, prata shops and cafe/bars. The smell of freshly minted rubber must go hella well with food.
It was the only two-unit shop there, too. Very rare. The district being the prostitution zone of our island that we try to pretend does not exist, most shophouses there that weren't going to have a red lantern on at night were in complete disrepair. Can't blame them I suppose. Can't do straight business in there.
"Mr Richards! It's great to see you. How was your flight? Great, great. Now, do you want to hear our proposal for that international -"
"SERRRR! FUCKY SUCKY? LOVE YOU LOONG TIME!"
"-multi-million dollar contract that we suppose we'll never get now."
But, yes. There I was at inKorporated - a stylish font, with the K brushstroked. Positive vibes, there were. It made an interesting contrast to "Hock Leng Tyre and Rubber Trading" next to it. And beats "Johnny Two-Thumbs" as a name. Sure, Johnny's is famous and seems to be the place to go. But I've never trusted anything too hyped. And why would anyone in the right frame of mind want to be tattooed by a person with an extra thumb?
The outside was all one-way mirrored glass upon which the name was stenciled, terminating in a wooden door at the end. I stroll up to find a surprising lack of the usual badly-photographed samples of lions and lagons. Instead, one of those OPEN-type plastic signs behind the small glass panel of the door said, "You think it. We ink it." How about that, eh?
Was about to walk off. Didn't. Went in. Yeah, the impulse thing.
You go into places with a certain mental picture in mind. At a fancy restaurant, you expect posh-posh lighting, with posh-posh furniture. At Hooters, heck, half the bill is for the cleavage. I went into inK', as I later learn is their abbreviation, expecting...I don't know. Never been in one before. Vague ideas of seedy and smokey. Heavyweight bikers lifting weights. Monkey inna tux dancing in the corner. Really, no idea.
So the sheer...pleasantness of the room I walked into threw me. A fuck-off huge sofa-bed thing against one wall, the only other furniture a largish wooden desk with a computer in the far right corner. Lighting was uh, upward-pointing lamps sheathed with blue glass, against navy-blue walls and the floor was carpeted an even darker blue.
Three framed pictures of tattooed bodies - one on each wall - were the only indication of what the place was about. An artsy monochrome dragon, a technicolour phoenix and above the desk, the Red Dragon tattoo, from the movie:

...which I thought was a really nice touch. No one else was in the room, though. No noises coming from the one other doorway set in the left wall. It led into the one-way mirrored space, which had to be the business area.
"One moment, please. Sorry!" a cheerful male voice chimes from inside the doorway. Yes, that was what he said. You must understand, after countless similar situations of "WAIT AH" and its variations, this stood out.
Water gushes somewhere and a figure emerges, towelling off his hands. In a loose, plain white singlet and jeans, he was lean, muscled and impishly good-looking. Looking a little over my own twenty-four years, he had that unique aura of matured youth. And that casual, out-of-bed look that takes bloody hours to get right, with short, black, tousled hair to match. But you could somehow tell he was one of those bastards that really get out of bed like that.
I considered walking out on general principles. No one should be able to look that good without trying.
Grinning sheepishly, he apologizes. He had to run the place alone this week and was just mixing inks when I came in. Firm handshake. He was Charles, and I was...? Great! One moment.
He quickly strides to the door and flips the plastic sign over. I just had time to make out the other side - a fountain pen within a red circle, a diagonal line across. Like, no smoking sign. No inking!
Bemused, I ask if he was closing up. Not at all, he says, with an easy, done-this-and-had-to-explain-it-before half-smile. He usually ran the place with his girlfriend, Dianne. But she was in Japan for the week, for a tattooists' convention. Inside the doorway, he points, there were only two tattoo studios. They had room for expansion if they needed it, but for now they were quite happy with the space they had to work with. Everything they would need for a session was in each of the two studios, so there was no need to run all over the place for equipment, inks and such.
When etching and especially when inking, you don't want to stop for anything. If you get interrupted, you lose the focus. Not so important for small, simple patterns, but if you were doing something like the pictures on the wall, you work as long as you can without a break, to ensure the colour and definition are all consistent.
So if Charles and Dianne were both occupied, they would close the shop till one of them was free. With just him around, it was done for every customer. That was some dedication, I remark. With a laudable effort at hiding his pleasure, he replies that it was just the way they worked, there.
Cue moment of awkward silence: two young men in singlets standing around, realizing they just hit it off really well with someone they'd just met. Of the same gender. For the longest, most homosexual five seconds of my life, we stood there looking at each other. We were both at a loss and both unused to it.
Don't you just hate cliffhangers like this?